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Kidane was born to dance. His musical family encouraged him to express himself. By the time he could walk, he could dance. By the time he became a man he was a principal dancer in the Ethiopian National Dance Theater. When he came to the US in 1990, his dancing tendancies could not be suppressed, be he couldn't find any music that spoke to his polyrhythmic nature. Most popular western music is in 4/4 time; Kidane was raised on 7's and 13's. In 1991 he started New Nile, so he could have something to dance to. Using standard western instrumentation, NNO members transpose traditional Ethiopian melodies into something danceable -- as the band puts together each new song, Kidane listens with his body, if it moves him, it's a go! Some dances originate in agriculture. "I ha ma ma" features accompanying dance movements that mimmick coffee bean picking. Rambosay's dance has it's origins in combat. The motions answer the question, "Who is the best?" Other dances have more intimate origins, and because their song lyrics are all in Amharic, Kidane's first language, we can only guess at their risque sentiments. When asked to translate, Kidane demurs and prefers to let the dances speak for themselves. The rest of New Nile Orchestra looks like your average rock and roll band, but don't be deceived by appearances. John McConnell's snaky bass rhythms belie his Wyoming roots. Ron Rost brings jazz, reggae, and even hip hop to the keyboards. Guitarist Steve Blair has performed with the Vermont Symphony Orchestra and is the head of the jazz department at Johnson State College. Drum set genius Marcus Copening is a pillar of the Vermont music scene and the spearhead of "Vermont Drummer Day." Percussionist Stephen Kemp, a noted stained glass artist, translates his brilliant sense of color into a percussive polyrhythms.
contact: info@newnileorchestra.com |